Away from the manicured glamor of the Croisette, there's another Cannes -- a Cannes that lies beneath. Beneath the red carpet of the Palais du Festival in the basement, that is.It's a seething, throbbing film market alive with b-movies -- low-budget features with no big name actors attached -- often horrors, thrillers, erotic movies or "mockbusters" (more on those later).It's a galaxy away from the movie screenings of the Official Selection -- the elite group of films chosen by the festival's selection committee from the thousands submitted each year -- of which just 18 go into competition for the feted top prize, the Palme D'Or.So if you find yourself not among those with Nicole Kidman on speed dial and if your budget is a few zeros short of a few million, then head to the Marche du Film you must, to make or break your fortune.Although it's in fact one of the biggest film markets in the world, in reality it's just a sprawling global bazaar, where filmmakers and distributors come and set up stalls and negotiate. But instead of selling electronics or questionably-sourced handbags, they sell movies. Lots and lots of movies.In 2013 alone, producers, distributors, financiers, video-on-demand providers and other representatives from more than 1000 companies in 108 countries (including places as far-flung as Albania and French Guiana) came together to haggle over 5,364 films, according to official figures.So, how does an ambitious filmmaker get noticed in this mass of movies? We asked a couple of Cannes veterans and a young Welsh man who made a splash at Cannes a couple of years ago with a Zombie movie called "Colin" that he made for $70.Rupesh Paul Productions have announced that they are making a thriller based on the disappearance of Malaysian flight MH370. The film's promotional pamphlet says that it "tells the story of five people who seek revenge for the death of their loved ones. They hijack a plane... " Paul denies that the timing of the movie could be considered offensive of the families of the 239 men, women and children aboard the airliner that disappeared on March 8.Paul Bales is a partner at The Asylum, a movie production and distribution company based in Burbank, California. The Asylum is known for producing low-budget movies (around $500,000) that riff off big-budget blockbusters and are often released around the same time.On the books this year are "Sleeping Beauty," a twist on Angelina Jolie movie "Maleficent," and "Apocalypse Pompeii," another take on Paul W.S. Anderson's disaster epic "Pompeii," which cost between $80 to $100 million to make, according to Forbes."We would love to be able to take credit for the mockbuster. The practice is called drafting ... it's been done almost since the industry started. Just like in bike racing, one racer will ride behind a faster racer and they benefit because there is less wind."We've Just been a little more outrageous. Our (movie) titles try to get as close as possible."Make them as outlandish as possible, adds Bales. At Cannes, the trade press pick them up and it's a great way of getting your name out there if you don' have a big budget or a high profile cast.U.S. indie label Troma are famous for making low-budget satires with a '50s flavor with titles like "The Toxic Avenger," "The Class of Nuke 'Em High."The movie studio has been running for 40 years and, according to co-founder, Lloyd Kaufman, Troma's secret weapon is their fans.At Cannes, Troma fans help the company put on the Troma Parade and street theater they've become famous for, where characters like The Toxic Avenger act out scenes from movies."This year, the Toxic Avenger and I have been asked to lead the zombie walk -- there's a zombie walk (at Cannes) that's been going on for about 10 years -- we've been asked to be parade masters."That's how we get attention because we cannot afford to take the big billboards."(CNN)Bakudaily.az